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06 April 2023

12h30 durée 1h

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Marley ERICKSON & Matthieu IDMTAL, violon et piano

Oeuvres

  • GRIEG, E.: Sonate n°2
  • POULENC, F. : Sonate
  • RACHMANINOV, S.: Deux morceaux de salon op. 6

Lieu

Salle académique de l'Université de Liège

Place du XX Août 7

4000 Liège

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A propos des artistes

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    ERICKSON Marley

      Marley Erickson, 2003, is grand prize winner of numerous international competitions including Fundacja Young Arts Competition, Philadelphia International Music Festival Competition, Muse Competition, Danubia Talents, and Moscow International Competition.  She has won the USA National Strings Competition, is a laureate of the International Louis Spohr and Il Piccolo Violino Magico Competitions, and participated in the Menuhin Competition in 2016 and 2018.

      Marley has performed with orchestras on both sides of the Atlantic including the Seattle Symphony, Orchestra of the University of Music FRANZ LISZT Weimar, Hungarian Radio Symphony Orchestra, Liszt Ferenc Chamber Orchestra, l’Accademia d' Archi Arrigoni, Mitteleuropa Orchestra, Seattle Sound Ensemble, and the Cascade Symphony Orchestra.  She has concertized in such venues as Walt Disney Concert Hall, Benaroya Hall, Paul Hall, Trinity Chapel, Antico Teatro Arrigoni, Berlin Philharmonie Kammermusiksaal, Ruïnekerke Bergen, and the Great Hall of Franz Liszt Academy.

      Marley has performed in programs including The Juilliard School’s Starling-DeLay Symposium on Violin Studies, Kronberg Academy’s "Mit Musik- Miteinander,” and Festivals including Lockenhaus Music Festival, Festival Academy Budapest, Művészetek Völgye Festival, Tiberius Chamber Music Festival, Festival Kortrijk, Seattle Chamber Music Festival, and Miedzynarodowy Music Festival.  She has participated in numerous programs including the Brian Lewis Young Artist Program, Cambridge International String Academy, The International Holland Music Sessions, and International Music Mastercourses.  Marley has commissioned and performed several new works for violin, performed on Seattle’s KING FM “Northwest Focus Live,” and made her “New York Debut” in recital at Salon de Virtuosi.

      In 2016, by invitation of John Adams, Marley performed the North American Premiere of Oscar Colomina i Bosch’s Shpigl on the Los Angeles Philharmonic’s Green Umbrella Series at Walt Disney Concert Hall to critical acclaim: “…Shpigl will be remembered for the remarkable 13-year-old 'old soul’ performer, Marley Erickson, who made it come alive...Watch out world, here she comes.” (San Francisco Classical Voice, Oct. 4, 2016)

      Marley currently studies with Kristóf Baráti and Barnabás Kelemen at the Liszt Academy of Music, Budapest.  Marley’s previous teachers include Eszter Perényi, Simon James, Hiro David, and Jan Coleman.  She has collaborated with such artists as Michał Francuz, Rohan De Silva, Nicola Eimer, Somi Kim, Jonian Ilias Kadesha, László Fenyö, and Veronika Kopjova, and has had the honor of masterclasses with numerous artists including Robert Lipsett, Paul Kantor, Rodney Friend, György Pauk, James Ehnes, Brian Lewis, Donald Weilerstein, Noah Bendix-Balgley, Mimi Zweig, Friedemann Eichhorn, Josef Špaček, Henning Kraggerud, and Augustin Hadelich.

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      IDMTAL Matthieu

        It is clear that Matthieu Idmtal has become an established name on national and international stages.
        Press and public have witnessed his distinctive musical personality, and have praised his highly sensitive interpretations.
        As a prize winner of more than 15 international competitions, Matthieu Idmtal has been a guest at the main Belgian stages such as Bozar, Flagey, Handelsbeurs, De Bijloke, De Singel, Philharmonie de Liège,… and made part of international festivals such as the Klara Festival, Festival Musiq’3, Les Sommets du Classique (Switzerland), Musicales and Côte Chalonnaise (France), Les Sommets Musicaux de Gstaad (Switzerland), Brussels Piano Festival, Gentse Vleugels, Festival Musical d’Arcangues (France), Podium Jonge Musici, Brussels Chopin Days,…
        In recent years, Matthieu Idmtal has established himself as a leading interpreter of the music of Alexander Scriabin, and gave several recitals entirely dedicated to the Russian composer. Last seasons, Idmtal gave solo recitals and concerts with orchestra in Belgium, Italy, the Netherlands, France, Great Britain, Switzerland, Latvia and SpainIn addition to his solo concerts, he is a sought-after partner to play chamber music; it has been ten years since he forms a very successful piano duo with pianist Anastasia Kozhushko. The pianoduo won several international prizes such as the ‘Youth ‘n Classic Prize’ (Belgium), ‘Concorso Internationale San Cristoforo’ (Italy), or the press- and publicprize at the International ‘Chamber Music Competition Almere’ (Netherlands).
        Over the passed five years, Matthieu Idmtal has been working on an intense and regular base with violinist Maya Levy. The duo Levy-Idmtal gave concerts thoughout the whole of Europe, and are considered as one of the rising stars of this young generation. In 2017, they were awarded as ‘Supernova’, a prize given by the Belgian music critics, programmors, and classical music radio stations. The award would offer a concert tour through the whole country. In the end of 2016, they recorded their first CD containing the complete violin sonatas of E. Grieg, which received unanimous positive reactions in the press.
        The repertoire of Matthieu Idmtal ranges from the baroque period till music of nowadays, but he has always had a particular attention to (Post-) Romantic music, with Frédéric Chopin and Alexander Scriabin as main composers. His affinity with the former made him create the Brussels Chopin Days: an international concert series dedicated to F. Chopin, of which Matthieu Idmtal is the artistic director since 2013. He also makes a point of bringing lesser known works into the spotlights.
        Matthieu began his musical training at the age of 7 with Frima Nakimovitch, and at the age of 10 he gave his first concert. After a few years he continued his studies with Maria Andreeva. The bulk of his training he worked with Vitaly Samoshko which he regards as his most significant teacher.

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